Bridget Crone has worked as a curator in a range of independent and institutional settings for more than 15 years.
She was the director of Media Art Bath where she developed commissions and projects that foregrounded the idea of staging and theatricality in recent contemporary art practice producing works by artists such as Gail Pickering (ICA and Arnolfini, 2008) – as well as the curated programmes The Sensible Stage (Melanie Gilligan, Pil and Galia Kollectiv, Jimmy Robert, Cara Tolmie and others, 2007-8, 2012) and A Theatre to Address (Maryam Jafri, Beatrice Gibson, Clare Gasson and others, 2010). The Sensible Stage culminated in an edited book with contributions by Alain Badiou, Elie During, Ian White, Lucy Reynolds and others (Cornerhouse Books). Other projects include: EYE MUSIC FOR DANCING (2012: Flat Time House, London), The Body. The Ruin (2005: Ian Potter Museum, Melbourne with catalogue). Bridget teaches curating in the Visual Cultures Department at Goldsmiths, The University of London.