KRIWET (born 1942 in Düsseldorf) started his career in 1961 when he published “Rotor”, a piece of literature completely written in lower case and without any punctuation marks or blanks. Rather than exploring the paradigmatic construction principles of meaning, the work considers language as merely visual and phonetic material.
Being one of the first artists later referred to as multi-media artists, KRIWET began to transfer these practices of Concrete Poetry into other media in the 1960s and 1970s: He produced sound collages and film montages, created serial graphic reproduction art and printed linguistic fragments and neologisms onto sheet metal and tarpaulins, and distributed his creations by using the mechanism of print media and printed advertising, the jargon of which he satirised at the same time. His “Poem Paintings” from these decades are linguistic images painted on large-formatted canvases. The common ground of all these works is the artist’s concentration on the materiality of language, beyond its representative function as a carrier of meaning of one clearly determined signified.